Title: The good blood of God on the hands of the disciple
Date: December 1988 - 26 June 1989
Size: 274.5cm x 546cm
Medium: Oil on canvas

This painting was inspired by the somewhat controversial idea that Christ's most advanced pupil, or disciple, was Judas Iscariot. The idea being that only he was consciously strong enough to fulfil the task of betraying Christ, that the whole scenario was understood by Christ and Judas to be necessary, and that it had to be acted out, to convey an esoteric idea to future generations.

The painting's central figure represents Judas's character; his gaze is toward heaven and the higher realms. His fellow pupils however remain earth-bound with their look, seeing only the material story, stuck in the world of duality.